My music tends to embrace the classical period of the 30s or 50s, with the right and necessary omnipresence of the true golden era of the 40s.
I'm searching for the control, throughout the particularity of the atmospheres of various eras and orchestras, the chemistry of the evenings and the enrgetic wave of the ronda.
The sooner we grasp the needs of the dancers, the better we create the balance between the DJ and the tangueros. Which is, in my point of view, the true magic of a milonga.
I began DJ-ing in 2000, with the milonga of the historical association "Tangopolis" in Rome.